One could be forgiven for thinking that a year following up the franchise’s 50th anniversary would be a quiet one. But there was still a lot to celebrate, what with the release of Solo, milestones for Octopussy, From Russia With Love, and two more rounding out the year: Live And Let Die’s 40th anniversary and […]
Recently I watched Octopussy and then The Man With The Golden Gun on successive nights, which was an interesting experience as it allowed me to compare two Roger Moore Bond films from the late and then early part of his reign. The Man With The Golden Gun is frequently ranked by fans towards the bottom […]
When Pierce Brosnan was dropped from the role of James Bond the producers took a big risk in moving away from the established 007 formula and rather than keep the existing timeline of the Bond franchise, they followed the Batman movies to revisit Bond’s early years, long before he had become the smooth secret agent with a licence to kill with a taste for tuxedoes and Martinis.
The Rolex Submariner worn by Roger Moore in Live And Let Die sold at auction in Geneva yesterday for 180,000 Swiss francs according to Christie’s. However, that is far lower than the estimate of 200 to 400,000 Swiss francs and so something of a bargain. AFP writes: Its hyper-intensified magnetic field was meanwhile intended to […]
There is considerable discussion about which model of watch James Bond wore in Ian Fleming’s novels but far more evidence for anyone looking to emulate the movie version of 007. However, not many people have the opportunity to wear a screen used 007 timepiece, as is coming up for auction. According to Ubergizmo: It’s the […]
For the finale of For Your Eyes Only (1981) – the twelfth James Bond film and the fourth to star Roger Moore – Melina Havelock and Colombo assist 007 to gain access to an abandoned Greek monastery where Kristatos plans to hand over the top secret ATAC over to KGB chief General Gogol. The monastery […]
For Roger Moore’s seventh and final outing as James Bond, he was once again reunited with director John Glen and composer John Barry. 1985’s A View To A Kill was the fourteenth 007 movie and, once again, the series followed a pattern of turning from serious spy movies (For Your Eyes Only and Octopussy) to […]
After the success of James Bond’s twelfth adventure, For Your Eyes Only, Roger Moore and director John Glen were reunited in 1983 for Bond’s new adventure, Octopussy. And, for the first time since 1979’s Moonraker, legendary composer John Barry was able to rejoin the team to provide the score for the thirteenth 007 adventure. Octopussy […]
The Bond series frequently follows the same pattern. Films get ever more action-packed and begin to feature increasing numbers of gadgets and explosions. That is, until a director decides to change direction and revert back to a more subdued affair, more faithful to Ian Fleming’s books. It happened with On Her Majesty’s Secret Service as […]
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